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Technology firm Infinite Reality is planning to refresh it as a streaming and virtual concert platform Napster, the peer-to-peer file sharing application popular in the early 00s for pirating music and other audio, has been sold for $207 million, 23…
A price cap of up to 10 percent above face value on resold tickets was included among Labour’s election pledges last year UK watchdog the Competition and Markets Authority (CMA) has said for the first time that it would back…
It’s the UK producer’s first full release outside of his own Timedance and A Long Strange Dream imprints since 2018 Photo by Finnegan Travers Batu has a new EP on the way, titled Question Mark. Spanning four tracks, it builds…
The Danish artist’s audio play explores the dynamics of home life, routine and queer relationships Photo by Oda Egjar Starheim Nic Krog, one of the acts featured on SHAPE+’s 2024/25 roster of artists, has released a new album, Perfect Pattern.…
It marks the first time both albums have been reissued individually Pete Shelley’s first two post-Buzzcocks solo albums, Homosapien and XL-1, are being reissued by Domino. The updated release of the two records will mark the first time that they…
40 years on, Simon Price revisits the undeclared war between Arcadia, who made “the most pretentious album ever”, and The Power Station, who made “the most cocainey album ever”; and asks who, if anyone, was the winner “Arcadia and The…
Contemporary humanist art often delves into themes of identity, relationships, emotions, and the search for meaning in a complex world. It eschews the attitude of perceived superiority and elitism towards art and its appreciation. Seeing Art as a contemplative form rather…
Guy Debord, Philosopher and author, along with helping to form the Situationist International wrote the seminal trope The Society of the Spectacle in 1967. How relevant is it 58 years later? Has Paris really moved on much from the riots…
Less than two months out from the return of Pewsey’s Acid Horse, Noel Gardner picks out 10 must-sees at this year’s edition, from Matmos to Milkweed via ballroom-gone-industrial, Eastern Bloc alt pop, psychic drone and much, much more Last year’s…
