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Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts.
With minimalism in Art, no attempt is made to represent an outside reality, the artist wants the viewer to respond only to what is in front of them. The medium, (or material) from which it is made, and the form of the work is the reality.
Minimal music (also called minimalism) is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units.
“Music that is considered minimalism – or post-minimalism music in general – things of that nature or that come from that tradition, or even drone, or non-western music, have a more subtle and more open-ended verticality to them that allows for your own mind and body to be involved.”
Oneohtrix Point Never
Arvo Pärt – Often associated with “holy minimalism,” his Spiegel im Spiegel (1978) and Fratres (1977) employ simple harmonic structures and a meditative atmosphere.
Steve Reich – Music for 18 Musicians (1976) and Clapping Music (1972) use repetitive, phased patterns that subtly evolve over time.
Philip Glass – His opera Einstein on the Beach (1976) and works like Glassworks (1982) feature repetitive arpeggios and hypnotic rhythmic cycles.
Terry Riley – In C (1964) is one of the foundational works of minimalist music, consisting of repeating musical cells played freely by performers.
La Monte Young – A pioneer of drone music, his The Well-Tuned Piano (1964) explores sustained tones and just intonation.
Cabaret Voltaire – Pioneers of experimental minimalism Johnny Yesno being a good example
The Fall Albums between and includingGrotesque (After The Gramme) and This Nation’s Saving Grace
Section 25 – Always Now
PIL – Metal Box
Minimalism revolutionized both art and music by stripping away excess and focusing on fundamental elements. In visual art, it challenged traditional notions of representation, encouraging viewers to engage directly with form, material, and space. By reducing works to geometric shapes, repeated structures, and industrial materials, artists like Donald Judd and Dan Flavin emphasized objectivity, physicality, and viewer perception. This approach influenced movements such as conceptual art, installation art, and contemporary design, paving the way for later artists to explore simplicity and spatial relationships in new ways.
In music, Minimalism introduced a radical departure from complexity, emphasizing repetition, gradual change, and hypnotic rhythmic structures. Composers like Steve Reich and Philip Glass brought new approaches to composition, influencing electronic, ambient, and film music. Their techniques—looping, phasing, and sustained harmonies—resonated across genres, shaping the sound of post-rock, techno, and contemporary classical music. Minimalist principles continue to influence artists seeking clarity, purity, and direct emotional impact, proving that less can indeed be more.