LTM Recordings: A Historical Overview

You may know LTM (full name Les Temps Modernes) as a record label specialising in the back catalogue and new releases of Factory and Avant Garde artists. The real story is more complex and deserves a bit more recognition. The following is an essay using the LTM history provided by James in the sleeve notes to The Night Watch compilation along with an interview he gave to ElectricityClub.co.uk in 2016.

In the case of new albums by heritage groups like SECTION 25, THE NAMES and CRISPY AMBULANCE, as long as fresh studio projects are financially viable, and the music is good, then of course we want to be involved. Any label can simply recycle back catalogue, but I like to think we’re a little more committed.

James Nice 2016

LTM Recordings has carved out a unique place in the world of independent music, operating at the intersection of archival preservation and artistic rediscovery. Since its inception, the label has dedicated itself to maintaining and expanding the legacies of pioneering post-punk, electronic, and avant-garde artists—many of whom had been overlooked or underserved by the mainstream industry. Through a meticulous approach to reissues and a keen curatorial vision, LTM has ensured that key works from influential yet underappreciated artists remain accessible to new generations.

Founded by James Nice, LTM emerged at a time when many seminal releases from Factory Records, Factory Benelux, and related independent labels were becoming increasingly difficult to find. Recognizing the cultural significance of this material, LTM took on the role of archivist, reissuing classic albums and compilations with extensive liner notes, rare tracks, and detailed historical context. The label’s reissues of works by Section 25, The Wake, Crispy Ambulance, and The Durutti Column, among others, provided a renewed appreciation for artists who had played crucial roles in the post-punk and early electronic music movements.

Beyond Factory-related projects, LTM expanded its scope to include releases from the likes of Anna Domino, Ludus, and The Names—artists whose contributions to alternative music had been overshadowed by the larger movements around them. The label’s commitment to presenting these works with care and historical insight reinforced its reputation as a dedicated curator rather than a mere reissue factory. This ethos extended to its exploration of modern classical and avant-garde works, including releases from composers like Erik Satie and John Cage, further demonstrating LTM’s broad artistic interests.

In addition to preserving existing works, LTM has played a role in fostering rediscovery and reinterpretation. By introducing these recordings to new listeners—often accompanied by insightful essays and high-quality packaging—the label has helped reshape the narrative around these artists, ensuring that their contributions are not lost to obscurity. This approach has also influenced subsequent generations of musicians, many of whom have drawn inspiration from LTM’s carefully selected catalog.

Despite the challenges faced by independent labels in an era of digital streaming and shifting consumer habits, LTM has remained steadfast in its mission. Its releases continue to serve as vital documents of musical innovation, proving that great art can endure beyond the constraints of its original time and place. Through its dedication to historical preservation and cultural revival, LTM Recordings has not only kept important music alive but has also reaffirmed the value of independent artistic expression.

Website: https://www.ltmrecordings.com/